advertising


photo: laughlin

photo: laughlin

On WEDNESDAY, MARCH 10, 7-8pm, the Ad Club held a “Twitter Party” talking about “The Best Advice You Ever Got.”  I was the moderator. Four questions were asked over the course of an hour. Over 50 people joined in. The best answers will be used for a coffee table book being put out by the Ad Club for their Women’s Forum Event.

Here are my answers to the questions asked that night:

Q1: Inspired by Women’s Leadership Forum speaker, @ellynletters, book “What I Know Now”: What do you wish you knew when you were younger that you know now?

That learning, just learning for the sheer joy of discovering something new – is awesome.

It’s ok to ignore people who say “you can’t do that.”

That knocking down the walls between professional and personal is really quite awesome.

Q2: What do you see as the greatest struggle for women today?

How to deal with growing old in society which cherishes young, beautiful women.

Helping to solve the universal problems which should be solved: poverty, war, hunger, abuse.

Q3: Who has been the most influential female figure in your life and why?

My daughter(s). Who taught me resilience and courage and joy and surprise and showed me how to love me.

Q4: What’s the best advice you ever got?

The reason men get paid more than women is because women don’t ask for as much pay. Figure out what you’re worth. Ask for it.1

Don’t be the person out there looking for a job, be the person doing something interesting.2

There’s a difference between “networking” and “needworking.” 3

“My philosophy of deal making is this– it’s usually about figuring out how to make the other person rich *first.*”4

Give away the credit.5

Where I got the advice above:  1) Nugget discovered years ago, in some Harvard Business school article. Advice I have thought about before going into every negotiation since that day. 2) I used this line in my shortshort appearance in the movie “Lemonade”. It gets re-quoted quite a bit, so I know it works for people. However, I cannot take credit for originally saying this. I read it online somewhere. If anyone finds the original source, please let me know. 3) Just discovered this on LinkedIn. I’ll take that advice to heart, thanks. 4) Advice from Tom Matlack, former venture capitalist and Good Men Project co-founder. It’s advice that can be used not just for financial deals, but for networking, client relationships, employee/employers. It’s that word “first” that’s important and counterintuitive. 5) Always give away the credit. I was taught that at the start of my career and never looked back. Funnily enough, people recently have been telling me I don’t take enough credit. But then, 5 minutes later, there asking me “so how DO you stay so busy in this economy.” Hmmmm…

Please see The Ad Clubs website and blog for more details on the event. Thanks all who participated!

photo: orphan jones on Flickr

photo: orphan jones on Flickr

When I worked in advertising, my desk was always in disarray. And as aghast as I was about my own clear lack of organization, I’d be equally aghast when I went to an account persons office and saw their neat-as-a-pin desks. How could anyone work that way? Where is everything? Aren’t you *working?* I would wonder.

And then one day I read an article that told me the reason why my desk was messy.

It’s because, as a creative person, I’m constantly looking for two unrelated things to combine.

After all, most creative ideas are not 100% new, but are just ways of taking what’s already out there and combining stuff in new ways. But in order to do that “creatively”, you have to break sets. Combine things that are unexpected, because they are not ordinarily grouped together. It used to be putting a new ending on an old cliché. Then it was combining two unrelated images in Photoshop. Not too long ago, it was someone who forgot that a camera and a phone were two completely different objects.

A messy desk keeps the solution to ‘problem A’ right next to the solution to ‘problem B’. It doesn’t file things away into a drawer labeled “the way it’s always been done.”

The internet is the biggest, messiest desk there is. I like to use that to my advantage.

Do you?

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I started blogging, tweeting and using other social networking/sharing/media sites not too long ago. The experience changed my life, in amazingly powerful ways, a comment that is still met with a great deal of skepticism almost everywhere I go.

But “Social Media” (a phrase that doesn’t even do what it’s really about justice, as most people equate the words “social media” with “getting on Facebook”) has given me the chance to meet brilliant, thoughtful people from all over the world, and talk to them as equals about things that are important to both of us. It’s helped me get involved in projects I never could have dreamed of on my own: producing a book and a movie, getting a cameo role in a movie; having crazy, impassioned conversations about the future of publishing, sexism, war, pornography; gave me a chance to help start not just one but three online publications; taught me how to shoot, edit and produce a hundred small videos; gotten me over my last final fears of technology. But most of all, I discovered the power in helping other people.

So why wouldn’t I want to blog about social media, if it brought about such profound and wonderful changes?

Because that would be like having a blog about email.

What I’d like to do here is to give you insights into the way technology is colliding with human interactions and communication, insights that will cause you to say “wow, I never saw the world that way.” And, at its best, will let you see the actions you can take next to create the profound changes I think we all can make.

I’m sure that sometimes I’ll slip up and talk about social media, because it still is such a passion of mine. But, on the whole, this blog is not a social media blog.

What is it instead?

It’s a “how the way we interact with each other affects the places we go together” blog.

It’s a “let’s think about creative ways to solve problems and then go out and solve them” blog.

It’s a “what if you didn’t think about technology and communication and marketing and friendship and business and art and change as separate things, but ONE thing” blog.

It’s a “where the heck is this all going to lead us 5, 10, 20, 100 years from now?” blog.

It’s a “wow, this is cool and here’s how it might translate into a business model” blog.

It’s a “Think. Do.” blog.

As always, comments are adored, opposing views are welcome, feedback is thoughtfully considered, and spammers are not tolerated.

Ad Headline: The Tsunami Killed 100 Times More People Than 9/11

Ad Headline: The Tsunami Killed 100 Times More People Than 9/11

Guest Post by Jim Mitchem

Guest Post by Jim Mitchem

Last week DDB Brasil was publicly scrutinized for publishing a print ad and :30 television spot for the World Wildlife Foundation that caused quite a stir in the advertising community. There is some speculation as to whether WWF even knew about the campaign or whether DDB executives approved it. The ads were submitted in the 2009 Cannes Lions festival. Fingers will be pointed, people will lose jobs. But this post isn’t about the politics or egos. It’s about the creative development.

The print ad, which won a Cannes, shows a litany of passenger jets taking aim on Manhattan, ala September 11th. The headline talks to the number of deaths caused by an act of terrorism versus the number of deaths caused by natural disasters. The purpose of the ad is put the raw power of our planet into proper perspective. And it works. Kind of. Which is to say that you don’t tug on superman’s cape. You don’t spit into the wind. You don’t pull the mask off the ol’ Lone Ranger. And you damn sure don’t use one of history’s worst spectacles of hate as the backdrop for promoting any company or organization.

My father always said, “It’s easier to run on a fly ball than to run back on one.” This is the one piece of advice from him that I utilize in my work every day. In fact, when I think through any communications problem I tend to run all around the periphery of first - to see how far logic extends in the brain. And frankly, if I were working on this project for WWF, I’d have come up with something similar to what they created. Only, I’d have written it down and shared it with my colleagues as a way to set the limits of periphery. Not as a realistic solution. Why? Because of the rules of cooth. Yes, we’re in advertising, but at some point we must draw the line. DDBs decision to publicly promote (in an advertising contest) this ad as a way to flex its conceptual muscle was proof to me that they lack cooth. The fact that this singular idea was produced beyond the napkin into a fully-flushed out print ad and television spot is shocking. Where is the cooth?

Jim Mitchem has his own provocative blog, Obsessed with Conformity. You can also find him on Twitter @smashadv

I’ve been doing a lot of presentations lately, mostly speaking about Social Media and Branding. Here’s one I did for the Boston Ad Club. I’m sharing it because several people have asked for copies. I tried to make it as helpful as possible, and have included some (but not nearly all) of my commentary along with my slides.

One caveat: Everything I learn changes daily. This gets at some of my core thinking, but the rapid growth of new ideas in this field is astounding. Learn what you can from all this, but please, don’t hold me to anything. : )

Social Media and Branding, quite frankly, is one of my favorite things to talk about, so if you want to hear more, ping me and let’s connect. I’m always happy to have a call, an email, a tweet or, if physically possible a cup of coffee. Feel free to connect with me anywhere.

Thanks, and as always, comments are welcomed and encouraged.

Photo: Arturo de Albornoz

Photo: Arturo de Albornoz

There’s been lots of talk about the “death of advertising” and the increasing ineffectiveness of the media. There’s a tremendously well-researched, insightful and informative Bob Garfield post in Ad Age, with lots and lots of numbers supporting his version of “Apocalypse Now” for the ad industry. There’s no doubt that there’s agency layoffs, and client cutbacks and fear and uncertainty. So who am I to be the bearer of even an ounce of good news for the ad industry?

Okay, I won’t tell you this is good news. But I will tell you what I think is fascinating.

Throughout history, for every version of media, there has been an ad unit that is a miniature version of that very media. Advertising usually- in some form- mirrors the content of the media that surrounds it.

Ads in newspapers, for example, are rectangular shaped boxes that includes a “headline” and “copy”. Even the terminology is straight out of newspaper jargon. Pretty obvious, right? Television? The medium is 30 minute stories involving actors on a set. What are most TV commercials? 30 second stories involving actors on a set. With a little music thrown in, just like in the big boy shows. Radio? Started with dramas. The term ’soap opera’ was coined because soap manufacturers sponsored radio dramas in return for product plugs. Radio commercials thus become mini-dramas”; still at their best when they are theater of the mind for a brand story.

And then along came the Internet. Ahh, the Internet. I actually remember the day I first heard the term used. My friend Martha called me into her office. Told me I’d better sit down. Shut the door. My palms grew sweaty. She said, “Lisa, have you seen this thing called the Internet?” She called up a paragraph of html text on a screen. It was filled with hyperlinks and Martha showed me how to “click through” to layers of information. It was years later before the term “click-through” became ubiquitous for banner advertising ROI. But at the time I was in her office, there wasn’t a banner ad in sight.

So now we have a brave new medium – Social Media. And we’re all scratching our head, wondering what the ad unit is.

Do we stick little banner ads on social sites? Oh, please. Have you ever seen a TV “commercial” that is nothing more than a static photo and a logo? Trust me, it doesn’t work. Stick banner ads on social sites and you ruin both the media and the ROI. Best case scenario, the ads become invisible. Worst case, people run screaming from the media.

But then, what does an ad look like in social media? Is it merely conversations? Does all advertising become word of mouth among friends as Jeff Jarvis and others suggest?

Or…is the “ad” really a social ecosystem itself that a company sets up? The conversations with consumers that are now public combined with a fan page on Facebook and the photos on Flckr and the idea-sharing on Twitter and the YouTube videos. And is a new ad, perhaps, the way that the target audience shares content about a brand or company across complex and interrelated networks? A “display” ad is now a conversation that gets displayed in a public forum. Remember, just because you’re not screaming “buy this” with a sledgehammer doesn’t mean you’re not selling something. You’re selling the brand by engaging consumers across multiple touchpoints, just like the social web itself. It’s the online experience that engages the consumer and captures their imagination much the same way that television captured our collective imaginations back in its glory days.

Is the newest ad unit staring us in the face but we just don’t see it? Is it just a miniature version of the social web, the same way that past ad units were miniature versions of their own mediums?

Are we just afraid to call Social Media itself “Advertising” because we hold it so precious?

And for those who would argue that advertising is paid messaging, remember this. Social Media, or this new order of Social Advertising, or however we describe it, may appear to be free, but there is a cost to it all. There’s the time spent to do it right, to have individuals who actually hold conversations with the consumers. There’s the challenge of understanding how the brand story should be told across all the hundreds of touchpoints scattered across the web. There’s learning the new rules of etiquette – heck, there’s helping to *create* the new rules of etiquette. There’s building the network, or leveraging existing ones, and getting the people engaged in a way that’s genuine and authentic, and that comes from the very core of a brands values or a products benefits. And there’s a cost to understanding the potential of this medium, the cost to experiment, to make mistakes.

But on the flip side, the ROI could very well be survival for those who do it well and do it now. Get it right, and I truly believe you can re-invent a dying industry.

The best advertising has always been that which has captured the imagination of the public and becomes a part of the collective consciousness. What better time than now, what better media to do it with. Maybe advertising isn’t really dead at all. Maybe we simply don’t know what to call it.

~

This post first appeared on Damien Basile’s blog: The Cause Is The Habit

photo: chantrybee

photo: chantrybee

>> Guest post by Bob Minihan

Allow me to interrupt the digital jihad for a bit.

Read a Tweet last week saying that Apple now ruled the world with their apps. Clicked on the link they provided as proof.

It led me to an Apple TV commercial.

My reply pointed this out. 0 responses.

Hmm.

Was I the only one who noted the irony of Apple, the new digital emperor, communicating apps to the online world via a, wait for it, wait for it, a TV spot?

Insanely cool Apple using TV?

Isn’t TV all DVR’d, out of date, old school, not with it, unmeasurable, a waste of money and dying like newspapers? Could brands like Apple, VW, Burger King, and now Microsoft with their “I’m a PC” campaign be so out of touch that they’re still using 20th century media as a cornerstone?

Don’t they know that marketing managers today feel so besieged that they need to prove direct results for every message? Just so they don’t get fired by the accountants, measurers, cost cutters and procurers now running the process?

Perhaps.

Or just maybe, could these brands know something that no one online wants to talk about? That before preference, purchase, relationship, and advocacy, you still have to create awareness?

That without awareness, none of the above matter?

Hello? Does anyone else see this, or just the brands that are magically rising above the toxic sludge of the current economy?

Could TV, while not what it once was, still be the most effective way of creating awareness with mass audiences? Like, duh.

Don’t get me wrong. I still have the original Apple battleship grey laptop in my closet. I love my iPhone 3G. I led a creative team that won a gold Clio for interactive way back in 2000. I am as pro-digital, pro-social media, pro-Twitter, Mashable, Facebook, You Tube, Hulu, and whatever’s-next as the next person.

It just seems that everyone online now has an axe to grind. Maybe to relentlessly push online to further their own businesses and their own careers?

Maybe to convert all through the gospel of Digitology? Whatever.

I just think we, as marketers, owe our clients a little bit of objectivity.

But maybe that’s just me.

Let the stoning begin.

bob-profile-pic1Bob Minihan is Executive Creative Director/Partner, ISM
“At ISM, we create Stories That Travel. We have proven that linking smaller brands to bigger stories is a tremendously effective way to compete with larger, better-financed brands, especially in these digital times.”

I was eating supper with my daughter, Allie. We were discussing the future of advertising. Believe me, everything else I might have been discussing with a seventeen-year-old was off limits.

Me: “I think you have to look to YouTube for the future of TV commercials.”

Allie: “But really mom, who would go to YouTube to watch a commercial. I can’t imagine anyone would go seek out, say, a Honda commercial voluntarily.”

Me: “Hah! How about a commercial for a $375 blender?”

Allie: (shakes her head)

Mom: “A guy blended an iphone – an iphone – and got 6 million people to watch it on YouTube. It turned into smoke. It was pretty cool.”

Allie: “I want to see that.”

Me: “Precisely.”

Anyone who has ever tried to get the last word with a 17-year-old knows how hard that is. About as hard as getting 6 million people to *want* to watch your commercial.

Will it blend?

This post originally appeared on Jim Mitchem’s “Obsessed with Conformity” blog.